Over the weekend I eagerly watched HB-2, I sort of liked the freshness of Hyderabad Blues-1. But, what a dumb movie this turned out to be – I kept wincing about the sorry acting, pathetic screenplay and corny dialogues. Funny thing is I didn’t mind it the first time – maybe because I saw it as an “indie” effort, and now view it as a “studio” effort. Nonetheless – it was very bad this time around.
The new Ashwini (they couldn’t get the old girl to act again) looked like a monster on makeup – as if Nakesh decided to make a stone act. She takes illogical decisions and sticks to it – but of course in the climax she inexplicably changes her mind – all her convictions thrown out of the window – how? ask the director. First she is a staunch fanatic feminist – even goes through a (flippant) divorce – but a tight close-up of the hero and some violin music in the back – she runs back into the arms of the hero crying “I am sorry – forgive me” – huh???
I just wanted it to end – there is no shortage of eye sore – same old pallu dropping, same old dialogues, beaten to death jokes (dil pe mat le yaar..), unnecessary gay doctor, sexual harassment angle, and politically correct hero (things would have made a lot of sense if he had had a real affair, instead of a mere brush)
The only positive things about this sorry sequel is Seema (friends wife), Nakesh’s ultra realistic parents and to a limited amount Nakesh and his buddy. This time he had a bigger budget, a bigger canvas, fancy cameras, larger unit – but goes on to prove that its hard to re-create freshness. Just for his sake he should have stopped at HB-1 – now I will remember him for his HB2.
2/5