A spoonfull of Sugar

Today I came across an article being discussed in LazyGeek’s blog. The Outlook article (link) talked about the hypnotized slumber the Indian audience are being subjected to, diminishing their capacity to perceive & recognizing quality. The article touched upon certain valid points and missed others completely.

To recognize that there is a problem is the first step in trying to solve a problem. Being labeled cynical or intellectual is fine – but it takes a pair of good eyes to recognize diamonds among glasses, so if you are happy with the way public art is being fed to you – fine, but as an artist (tho a different medium) it pains me to see this decline. Here are a few statements thrown at those who try to comment on the dismal state of this wonderful medium.

  1. Filmmaking is a form of Escapist entertainment and about business not to further art form

    I disagree – but I have to used this cliched but valid argument – ‘who is to say that alternative films have to be boring ? ‘ Anything as long as we don’t see reused templates – we need bold experiments like science fictions, fantasy magicals, short films, experimentals, simple emotional stories, reflections and pure entertainers. But before you point out that any good literature is a template (Hero overcomes odds to win a moral goal), by template I mean the same characters/structures/introduction scenes/seductive songs at regular intervals as you see in any Vijay/Vikram movie.

    You may ask why do we need to change when we like what we see ? When we are always fed with fodder, we can never appreciate or even comprehend and savor the good taste of a gourmet food. I am certainly not talking about so called ‘art’ films where you watch a old man wash his face for 20mins. What I mean by ‘Art’ – is films which break the monotonous ‘routines’ and redefines the audience palette.

    I certainly have been guilty of enjoying certain masala films – Kaakka Kaakka, Mumbai Xpress, purely as a form of entertainment. But that alone can never enrich the audience – its like a diet of eating only sugar – always sweet and as a kid you love it – but does that mean its good for you ?

    To enrich, educate, sway, narrate, excite and open the eyes of the audience – these are just a few possibilities of cinema, which is and always will be as a mass medium. They should be responsible gate keepers dishing out a balanced diet – not to always give out bubble gums and sugar candies.

  2. You don’t go to a Circus to learn about life or enrich your life, you go there to see elephants ride bicycles.

    Yes, you don’t – but the medium of cinema is a socially responsible medium, and not merely an entertainment medium. If you see the history you will notice cinematic medium used to elict revolutions and as a propaganda machinery. Elephants riding bicycles don’t do that. But cinema has degraded so much that you could be forgiven for making such analogy.

The 80s, 90s brought in the bubble gum culture – mindless sugary stuff – which didn’t do any good to refine the audience taste, but just kept feeding dope regularly. Now audience is addicted, they don’t want anything new or better – they want their dose of sugar.

But it is heartening to see a few experimental movies up North (I am NOT talking about over hyped Kadal or Black). Changing the mindset of a generation takes time – but someone somewhere has to take the first stab.

Hats off Nikon!

Nikon did something unprecendented last week!

They announced sucessors to its blockbuster D70 – no, thats not the big news.. read on!

Nikon D70s ($1,299)

Whenever a new camera comes out – it invariably contains many new features, many innovations and improvements over the older versions. So Nikon D70s boast so many cool features than Nikon D70 (my camera). And people holding the older versions, like me, have 2 options – continue using the old camera (it still shoots) or fork out some dough and upgrade. Now Nikon did something that caught me off guard . They graciously announced a firmware upgrade (the software which runs the camera) which brings in many new features into the my older camera!

Kudos to Nikon! – They didnt lose a potential customer – but gained one.

So, my ‘old’ Nikon D70 will get an firmware injection which will bring Improved performance for the 5-area autofocus system’s Dynamic Area AF and Closest Subject Priority Dynamic Area AF modes. D50 lists for $899 and contain a new Nikon 18-55mm DX lens, and the D70s lists for $1,299 (with lens).

Its very rare find excellent customer service and excellent quality go hand in hand. If the above proves their customer oriented strategy, this link might prove their quality…hopefully :)

Photoshop CS2 Review

Today I upgraded my trusty old Photoshop CS into CS2.

After initial installation (took forever) the interface popped up. Very sleek, the first thing you notice is smooth icons and well rounded tabs. Looking under the hood, I found the menu has changed a lot – CS had a lot of options CS2 has a lot more options.

As with any review – negatives or quirks first. I am sure after a while I will get used to it.

Font Preview in Drop down menu –
At last photoshop caught up with the rest of the software world. But unfortunately the font is preview with a static ‘Sample’ word. It would have been much cooler and usefull if it actually previews the word (if there is an active selection). For example, if I select “Bombay” and want to preview different fonts – I still have to cycle through all the fonts in my system, the new font preview features doesnt lead a helping hand, it just previews the words “Sample” not “Bombay”

Layers –
Linking layers are gone! I almost panicked, but found that now you can control or shift select layers and ‘click’ on Link button to link’em together. Hmm… I am not sure that was a good idea, I usally run my mouse over the link layer area to link or unlink the layers – now I have to select each layer and press a button.

Talking of layer selection, it loses focus pretty quick, I am not sure what triggers it – but if I have an active layer and do something – my layer selection is gone! I have to manually re-select it again after getting “No Layer selected” warning.

Status Bar -
The status bar is gone – so the whole interface looks unframed. The status bar is now sticking under the open image. Not sure I like that either.

Bridge –
This feature is much touted as a rocket powered File Browser. I never liked File Browser – so I was hoping this one is fast – but alas – no! its still bloated, slow unlike my superfast ACDSee 3.0 (not the new version – but 4-5 year old version)

Adobe Raw –
There is a marked improvement in ACR – now it has curves! Awesome!

Vanishing Point –
Another well touted feature – it does work – but its applications are limited, and I am not sure of its usefullness. How many times do you have to paint or clone in flat prespective – I have never done it, but i guess it would save some time if the need arises.

Animation!
Photoshop treads into ImageReady territory with Animation pallette. I havent played with it yet – so I donno what it actually does different from IR.

Next, I will play with ‘Smart Layers’ and update the review.

As far as I can tell, this is not a revolutionary upgrade – but worth the $149 for its new media orientation. Now it recognizes the need of graphic design in video, digital photography and special effects domain, and tries to meet their needs. A step in the right way.

Your tax dollars at work

This Information Highway is getting an facelift, so excuse the messy CSS. The upgrade will take a couple of days, you will know when I am done .

Those who are wondering what the hell am I blabbering about. In plain English – “I am upgrading the Blog Software – and I screwed up, so the blog ended up looking like this

PS: ‘Your tax dollars at work’ – Its an inside joke (US only) – we see these signs in major highways when there is construction crew working or digging up the roads. So I cleverly said Information High… ahh… nevermind…

JVC changes the equation midway

JVC yesterday retracted their pricing of 13x HD lens. Initially, it was announced for $6,995, now it is $12,995. That changes the whole equation. Bummer!

The main attraction of JVC HD-100 was its inter’changeable’ HD lens system. Which begs the question – change to what ? There are not many HD lenses which sell for under 3 zeros, most of them have four zeros ($20,000+), this 13x wide angle was announced as a high quality $6k lens. So the only option left is to rent these HD lenses. That would make sense, if… a big if, the camera delivers great quality+ future proof featureset- but on paper, Panasonic HVX200 (see table below) has better specs. It has 4:2:2 color sampling, variable frame rates from 4-60fps, low compression and shoots 1080/24p – so JVC is not in the same legue. They had one advantage “interchangeable lens system” now they have lost it. Lost it by pricing out the optional lenses.

So what now ?

Back to HVX200, and live with its fixed lens – and just hope that Century Optics makes a great WA adapter for HVX lens. It just goes on to show that each camera is a compromise or that cousins are looking out for each other. What cousins ? If you trace up the family tree, it would lead to common parent Matsushita.

JVC or Victor company as its called in Japan, is owned by Matsushita. And who does Matsushita also own ? Panasonic! So why is the same company fighting in the same marketplace with competing products ? Maybe thats the way Japs work.

Forbes top 10 Airports

Forbes today released its Top Airports in the World for 2004. I was casually reading the report, and to my surprise I have visited all but 2 of the top ten airports worldwide!! I didn’t even realize I was a world traveler ;)

So I thought I’ll write what I felt walking thro these fine airports.

Top 10 Forbes Ranking   My Comments
1
Hong Kong International Airport Hong Kong [Visited in 1998,1999,2000,2002,2004]
Definitely the best. I visited when it first opened its doors – following the heels of then president Clinton. The old HK airport was scarier, it was right inside the city, so the pilot almost have to ‘navigate’ into the skyscrapers! The new airport is verrry far from the city – might as well be closer to singapore than hongkong ;)    9/10
2
Changi International Airport Singapore [1998,1999,2000,2003]
Home Airport for sometime. So I knew the ins and outs of beloved Changi. Their dropping golden fountain never ceases to amaze me. On my recent visit, I was pleasantly surprised to find they are going to have a train connection from downtown. Sweet. Old but still Gold.   8/10
3
Incheon International Airport Korea [2003]
I was dead tired on arrival. I remember they had good lounge chairs for me to sleep. So I remember this airport in a dreamlike state. Or was it Taiwan.. ? hmmm :)
4
Munich Airport Germany [2001]
This one is a surprise entry. It was one tiny teeny airport. It reminded me of San Jose airport. I wonder how it made it to the list.   4/10
5
Kansai Airport International Japan —Not yet visited—
6
Dubai International Airport UAE [2003]
All that glitters is gold. The keyword in this airport is duty free shopping. But I hunted twice for a good deal here, without any success. Maybe shopping is made for oil soaked sheiks.   6/10
7
Kuala Lumpur International Airport Malaysia [1998,1999,2000,2003]
One of my favorites, imho it belongs to the top five. The new airport is a modern bold statement of Mahathirs commitment to Multimedia Collidor. Very nice airport.   8/10
8
Amsterdam Schiphol Airport Netherlands [2001]
Very efficient airport, had many product placements, parked cars inside the airport!. It was under construction, so didnt explore it in detail.    7/10
9
Copenhagen Airport Greece —Not yet visited—
10
Sydney Airport Australia [1999]
Very cultural airport had works of abroginies and local artists.   7/10

Missing from this list but my favorite is SFO International (Very nice architecture), Hartsfield International (Busiest Airport in the world) and LAX (very crowded, but has character)

Pana and JVC unwrapped

Panasonic HVX200 becomes the first camera under $100,000 to record high-definition 1080/24p. The ONLY other camera is Sony’s CineAlta, a $100,000 camera which, Lucas and Rodriguez used in ‘Star Wars II’ and ‘Once upon a time in Mexico’. They both use Sony exclusvely

Also this $5995 camera does what a $65,000 Varicam does – variable frame rates! It can shoot any framerate from 4 to 60fps!.

Yes it is a wonderboy cam – it does all ‘good’ flavors of HD without its nasty after effects.

What does that mean ?
HD as HDV is popularly called, is a horrible format. Wait, before you flame me, hear it out. HDV is a consumer format, plain and simple. It has low color sampling (4:2:0) , high compressions. Also HDV specs dont have the indie favorite 24p recording. So smarter companies (read JVC, Panasonic) take the HDV standard and customize it.

JVC customized HDV as ProHDV – it made two simple changes – added 24p and relaxed the compression algorithms. Instead of compressing a group of 15 frames, it grouped only 6. But Panasonic went further and threw out interframe compression altogether and compressed each frame individually in its DVCPRO-HD format. Also it doubled color sampling from 4:2:0 it made it 4:2:2.

JVC and Panasonic has released their respective versions now. Its called HD100 and AG-HVX200

  Panasonic AG-HVX200 JVC HD-100 Sony Z1u Winner
Shoots in

1080/60i
1080/30p
1080/24p

720/60p
720/30p
720/24p

720/30p
720/24p
1080/50i/60i Clearly Pana
Progressive ? Yes Yes No, Interlaced JVC & Pana
Real 24p ? Yes Yes NO! JVC & Pana
Default Lens 13x 16x interchangeable   Clearly JVC
Lens Fixed Real HD Manual Lens Fixed Clearly JVC
HD Flavor DVCHD-PRO PROHDV HDV Clearly Pana
Color Sampling 4:2:2 4:2:0 4:2:0 Clearly Pana
Recording P2 Media & HDD MiniDV Tape, HDD MiniDV JVC & Pana
Shutter Variable! (4-60fps)     Clearly Pana
Audio Less compressed Compressed Compressed Panasonic
Compression Within 1 frame With group of 6 frames Group of 15 frames Clearly Pana
Form Handycam Should Mount Handycam JVC
Looks Non Pro Real Pro looks Looks cool JVC
Positives

720 & 1080
4:2:2 color
Variable Shutter
Slow motion
Green Screening

Interchangeable HD Lens
More Resolution
Records to Tape

Shoots both NTSC/PAL  
Negatives

Fixed Lens
P2 Media Expensive (8gb $2000)

HDV Compression
no 1080
4:2:0 Color

No 24p
No Progressive
15 frame compression
4:2:0 Color

 
Price $5995 – Available Oct $6295 – Available June $5949 – Now!  
   

Can it get any better than this ?

Yes, how about a 4:4:4 HD interchangeable 35mm lens camera !! – enter DRAKE… more details on it when it becomes available

Adobe + Macromedia

Adobe buys Macromedia for $3.4 billion. I didnt see this coming – I am shocked as I was shocked when AOL bought Netscape.

I wonder what happens to competing softwares – Photoshop v/s Fireworks, Dreamweaver v/s GoLive, Flash v/s LiveMotion(?) – but it would be too stupid of Adobe to kill MMs software – no, not in a million years. Except possibly Photoshop and Illustrator, Macromedia trumps Adobe flat with its killer Flash and Dreamweaver. My guess is that Adobe will let MM do its own thing in SFO’s Landsend while it does its thing in San Jose. I cant figure out why this doesn’t violate Anti-trust laws, by this merger they flattened out the field.

Mumbai Xpress non-stop

WOW – what a ride!

This is one of the hilarious movies I have seen in recent times – I don’t ever recall laughing so much for 3 full hours.
The script is so expertly weaved from a simple story – not even an unique story, but the dialogues, timing and excellent supporting cast push Mumbai Xpress into ‘star’osphere! Full Marks to Kamal for an original entertaining story.

Though I am a big Kamal fan, I didn’t like his last few comedies – they were just borderline … Pammal K Sambandam , Panchathantram, Vasool Raja MBBS.. maybe coz of the fact that they were not originals – but Mumbai Xpress is on the right track. This ranks as high as Micheal Madana Kamarajan, Kadala kadala and Saati Leelavathi.

One of the biggest concerns I had was Crazy Mohan was missing from the crew list. For Mumbai Xpress Kamal had taken up dialogues himself – Thankfully Kamal is a not a slouch in dialogs dept – he was on par with Crazy Mohan (whose dialogues range from kadi to silly to really hilarious) Very simple and elegant when delivered with perfect timing, highly effective.

Sidharth’s Cinematography is a big let down. This film is supposed to be an all-digital film. They had shot with a prosumer 24p camcorder Panasonic DVX100A ($3,500) – and it shows. The resolution was very bad, worst at times. It had bad composition, blown out highlights and a horrible green screening with loads of unnecessary f/x.

Raaja’s music was adequate, and so was Singeetham’s direction. This isn’t a shining example of a good digital film – but thankfully the cast keeps you fairly engaged with their antics, so you can try to turn a blind eye towards horrible cinematography.

Another interesting point was Kamal’s mention of ‘Dogme 95′ in one of his interviews. He said this was shot in the lines of ‘Dogme 95′ and was planning to apply for a compliance certificate. The interviewer wasn’t smart enough to point out that Mumbai Express does not qualify for a Dogme 95 certificate – no, not even close.

What is Dogme 95 ?
In 1995, a set of european filmmakers were sick of the direction film industry was going. Big artificial sets, elaborate musical score, full of special effects – but no soul. So they set out to cleanse the film industry of all impurity. Their set of rules were called “Dogme 95 rules”

  1. No Special Effects
  2. Only Handheld camera
  3. No Special Lighting – only sunlight
  4. No Sets, everything should be on location
  5. No Music score – Music can be included if it is played during filming. That is, music and image should be captured simultaneously
  6. Director should not be credited.
  7. Linear story telling
  8. ……..The last 2 I forgot :)

So if a film adheres to all these rules – then it is given a certificate ‘Dogme 95′ which can be proudly displayed. Mumbai Xpress doesnt qualify for even one of the rules. I guess Kamal was trying to say they didn’t do any special lighting and that they shot handheld most of the time (But they had used Crane shots liberally)

But it shows Kamal does know his art – and is a cut above the rest in the knowledge department

But all said and done – Mumbai Xpress is a wholesome family entertainer. Now, I am eagerly waiting to watch the Hindi one… can’t wait to see how Vijay Raaz performed in Pusupathy’s role.

**** 4/5

Adobe Releases the next version of Photoshop

Photoshop – the bread and butter software for any graphic artist, has gone through a new version upgrade.

Photoshop CS2 – a wierd name… hmm… also for a software that is so perfect in all aspects – what is left to improve ?

HD of course :) more and more resoultion! It seems it can handle 32-bit images now (HDR – High Dynamic Range). It also has a new tool (gimmick ?) ‘Vanishing Point’ which lets you paint to prespective. Will it die like the useless ‘Paint History’ , ‘Art History’ and Audio Annotation, which was forced into CS to make the users ‘want’ and upgrade ? Not sure, and too early to say without playing with it.

Vanishing Point

HDR Support

It looks like the above picture effectively compresses the dynamic range of a series of photos into a single photo. Current digital cameras cant shoot a picture like the one above. Why ? Because the CCDs cannot resolve such a wide dynamic range. Well, what is a dynamic range ? It is the distance between blackest black and whitest white – the farther the better. So, a 2 stop dynamic range will look black and white with no greys. A 12 stop dynamic range will look like the picture above, where you can see bright sky and also the dark shadows.

Looks like CS2 takes a bunch of pictures and extracts such a picture automatically (?) Previously, we used to do it with a trick called ‘digital-stitching’. Tho I’d not like to admit, a few of my photos in http://www.andshoot.com are digitally stiched to preserve the dynamic range.

Will I upgrade ?

I have to…right ? and so will thousands of fellow graphic designers. Nobody wants to be a freak…nobody wants to be left out… its after all Adobe – will they ever let us down ?